Recently, Deryn at Something Sublime, wrote a post, What Not to Do, something she had told herself she would never do. It's about copyright and making things your own and it is a wonderful post. It's a prickly topic which I think Deryn has done a lovely job of addressing. It's a very supportive and positive post and definitely worth reading and giving some thought.
As it turns out, I was in the middle of making drawings for a new design. I was definitely inspired by a zen tangle tile I had seen done by another artist. I thought it might be interesting to take you through my design process, at least the on paper part, and then show you where the inspiration came from.
Rarely, maybe never, does a design spring from my pen to paper to a model in one step. It's an interative process for me. I draw out what I see in my mind. Make little adjustments. Start over. Redraw, refine. Each time I put pen to paper it seems that I see something new. A little tweak that might feel better to me.
This is the final drawing from which I made my mold that I used in ceramic and metal clay.
This is the tile that I loved, drawn by Christina Vandervlist shown here on her blog. See there that flower pattern in her tile? I love that. I'd thought about doing something as a texture plate and then as I was working on that concept when the idea to just do a flower seemed to work for me.
The intersection part of this whole thing is that when I contacted Christina to ask if I could post her tile, I found out that she is a bead weaver. I only knew her from the zen tangle community. She's been a bead weaver for 37 years, taught at Bead & Button and Bead Fest. Her work is published and her Traveling Spirits have been featured on the cover of Beadwork. I love and admire all things bead weaving and seed beads. How extraordinary is it that I would be inspired to make a jewelry component by a drawing made by a jewelry maker that I've never met?
In Deryn's post she references a published letter by Heather Wheaton, editor of Art Jewelry magazine. Apparently, there are all sorts of rules of thumb for how much of an alteration makes something your own, 10%, 20%, 30%..... One of Deryn's DO's is to "Allow that transformation to take place and release the original artistic voice within." Good advice!
As visual people we aborb images from everywhere. I think it's important to recognize and acknowledge that . For me, iteration is a process that allows me to absorb those images and let them come out as my own. In that process, I have time to reflect on what I am saying, what resonates with me. And I'll tell you with absolute certainty, that with the bitter cold we've been having, flowers and blossoms definitely resonate with me.
Thanks Christina for your lovely field of flowers and the inspiration.
